Few people know what great djing is really about. Those who don't think of wacky radio presenters and gabby wedding spinners; they have a real problem seeing how playing records can be a performance. But, ironically, most of today's young clubbers can be just as clueless when it comes to separating a good DJ from a bad one. UK club culture and its rootless brand-name jocks and their 2 hour guest sets, has bred dancers with a painfully short attention span. Our dancefloors might throw their hands in the air for a clever technical mix, a swift key change or a bombastic snare roll, but they're largely immune to anything that takes a bit longer to achieve - like pacing, building, teasing, exploring. Sadly, these days most of us just want to pay our money and get an immediate dance fix. We're happy to be thrashed around at a fever pitch all night. Its rare today to find a DJ brave enough to take a crowd down as well as up. Or to reflect complex emotions or play music outside the narrow focus of their niche. Or to throw a risky curveball or two and 'cleanse' the dancefloor for a fresh start. When you find a DJ willing to do more than stich together a bunch of surefire floorfillers, shake his hand. - Frank Broughton & Bill Brewster
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